Revolves have been around for a long time and can be very effective, but so often they are used simply to change a setting quickly, or they become construction projects that take on a life of their own and serve mostly as toys for the more engineering-oriented members of the shop crew. This morning I found a great article on the revolves used in Hamilton and how they are used to help tell the story.
Even more interesting, reading between the lines in the article, I started getting ideas for how other pieces of equipment or scenery can also be used to help tell the story. But, as detailed in the article, it takes some serious collaboration between the director and the set designer — and, in the case of Hamilton, the choreographer — to fully develop the idea. One comment I especially liked was to the effect that the revolves and the action and choreography were so tightly integrated that you could not tell where one left off and the other took over.
The article is in the USITT archives as a publicly-available portion of the Winter 2017 issue of Theatre Design and Technology. I don’t know how long USITT will keep it available to the public at no charge, but here’s the link: